Most Recent Posts

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Camera Technology

Why You Hire A Professional Photographer – Your Photos vs. Mine

 

This is perhaps my most ambitious blog topic to date. To start the new year of 2012 I wanted to write about a topic to which I’ve been receiving a large number of emails about lately. The most recent of which arrived in my Inbox last month. Melinda from Atlantic City wrote, “Hi Adam. My husband and I are coming to Las Vegas next Spring for our anniversary and I want to hire you to take some photos of us around the Strip while we are there. I’m sold on your work but my husband has said that we have a good point-and-shoot camera we will be taking with us so what is the value of hiring a professional photographer? Please help me sell him on this!”

It’s an excellent question Melinda! While I can go on and on about the technical details of professional equipment and my years of experience in photography, I thought it would be best to actually show you the difference. To do so, I decided to conduct an experiment with the sole purpose of answering this question. To do so I setup a series of photo shoots up and down the Las Vegas Strip, just as I do with the many dozens of couples, birthday parties, and bachelor/bachelorette parties I shoot all year long. This time, I made use of a professional model as my muse.
 

This is Crystel Rivera. She is a professional model here in Las Vegas and perhaps one of the most talented and professional ones I’ve ever had the pleasure of working with. A Las Vegas native, Crystel started go-go dancing in the major casino nightclubs when she was 18 and fell into modeling at the same time. She has been featured in FHM Magazine, on Penn & Teller’s show “BS!” on Showtime, and currently works as a Playboy Bunny at the Palms Hotel & Casino. (At the time of this blog, Crystel is redoing  her website but if you are interested in booking her for an event or photo shoot, you can do so via email at crystelrivera@hotmail.com).  

To conduct the experiment I would photograph Crystel in different poses in different locations. While I do have lots of high-end, portable lighting equipment which I frequently use on the Strip, I decided to keep this simple and only shoot Crystel with the photographic equipment I could carry in a camera bag.

Here is the fun part of the experiment comes in. I also brought along a small, point-and-shoot camera as well. Specifically the Samsung ST100. It’s an outstanding little camera I bought for my wife and it takes wonderful photos. Amazon.com gives it a 4.5 out of 5 stars and while we paid much more for it over a year ago when it was new, it currently sells for $234.94, making it a mid-priced camera it its class.

Here are the rules I set for this experiment. So that I can remain an impartial person in this test, I handed the point-and-shoot camera  to a complete stranger on the street and asked them to photograph Crystel. These strangers would give her direction to pose and then take as many photos as they liked until they were satisfied with the results. They would take her photo using fully automatic settings in the point-and-shoot, just as the vast majority of people do when they use their own cameras on vacation. I would then go and take a photo of my own of Crystel in the same location but utilize my over 15 years of experience in working with models and using top-notch professional camera gear to get my own result. Crystel was instructed not to add too many creative poses for the different photographers but to take direction from whomever was shooting her to get the resulting photos. So I present to you the side-by-side comparison of both shots in each location. One shot by an amateur with amateur equipment, one shot with a professional with professional equipment. All the "Before" photos were left as-is, as your average person does not have access to advanced retouching tools as I do such as Adobe Lightroom and Photoshop, as well as all the other plugins, filters, and after effect tools. What you will see first is the image captured by the amateur followed by the photo taken by myself and retouched as if it were one of my clients. In some cases you'll see more than one image from me as I was able to get a bit more creative in the results from some locations. Let’s take a look at the results!

PHOTOS AT BELLAGIO

 

 

 


PHOTOS AT CAESARS PALACE

 

 

 

 

 

 


PHOTOS AT THE MIRAGE


THE VENETIAN

 

 


THE "WELCOME TO LAS VEGAS" SIGN

 

 


DOWNTOWN LAS VEGAS – FREMONT STREET EXPERIENCE

 

 

 

 

 

 

The photos pretty much explain my point for me. The ones with the Samsung point-and-shoot camera took some fairly good photos at times, but in most cases the images were washed out, devoid of any emotion or depth, or just created bad photographs. I was recently doing a photo shoot for the television show Vegas Strip (seen on TruTV) and I was shooting some photos of one of Las Vegas' Finest for the show. I got some really creative shots with him and his squad car on the Strip and when I showed him what I shot in the camera he said, "Wow, your camera takes really good photos" to which I responded with, "Yeah, and the guy behind it had a little something to do with it too" and we had a good laugh. Part of the reason I wanted to hand the smaller camera over to a stranger on the street was to prove that many people take snapshots whereas a professional photographer with years of experience knows how to take a camera and capture a moment…create a memory as it were.

With the advancements of digital photography, picture-taking is more prevalent in society now than ever before. Chances are that if you probably have a camera in your mobile phone plus an additional camera somewhere in your home. Most people are familiar with posting their photos to Flickr or Facebook nowadays without even a second thought. And while we live in a society of shutterbugs, many people often lose sight in the importance of hiring a professional photographer for their events, their businesses, or even their vacations. I often tell my clients that a person with a cell phone creates a fun photo for Facebook, a professsional photographer creates something to hang on the wall.

[EPILOGUE]

Before writing this blog, I sent these photos over to Melinda, the woman from Atlantic City I mentioned in the opening of this blog entry and she showed them to her husband. We are now booked to shoot her Anniversary photos in April. If you are coming to Las Vegas for any important event or even just to capture some awesome souvenir photos on the Strip, email me at adam@shotbyadam.com or call me directly at 702-204-1740 for questions and availability.

My Suggested Photography Reading List

The last several months I’ve been teaching several walk-around photography classes for beginners here in Las Vegas. One of the most common questions people ask me is what are some good resources to expand their knowledge of photography, whether it’s as simple as taking better vacation photos or how to learn more about the different settings that are in the camera. Over the years, I’ve collected a wide variety of great photography books, some as old as the 1930s. So I started amassing a list for those interested whenever they asked me but then it’s a matter of tracking down the books either online or at the local bookstore which may or may not have them all the time. To make things easier, I started going through my book collection and I’ve found some of my favorite resources for digital photography. These are books which will not only help those who barely know where the "ON" button is on their camera all the way up to the professional, working photographer.

                 

The first series of books I suggest everyone look into are the Digital Field Guides published by Wiley Publishing. For many years these have been my first go-to books for learning about anything with my camera. While the manual that came with your camera is a great resource for specific technical information, you ultimately want to learn how to apply all that information into taking better photos. These Field Guides are an outstanding companion to your existing camera manual. The best part about them is they really present all the techie, nerdy information and put it into words that anyone can understand. So if you’re using any major DSLR camera brand, this should be the first thing you buy for it.

              

Once you have one of these books specific to your camera, you might want to investigate some of the "Dummies" or "Idiot’s Guide" books on photography. Don’t be insulted by the name…the books in these series are written by outstanding authors and professionals in their craft. They explain the different common terms in photography such as exposure, shutter speed, ISO, etc. They explain the difference between types of cameras and lenses and give you an excellent starting point to understanding not just how your camera works, but how you can use this information to take much better photos. When you are just starting out in photography, you want to start here.

               

Once you have started to master the basic understandings of the photography vocabulary, have a good, working knowledge of the basics of photography, then you can start to move up to the more intermediate or advanced books. Some authors/photographers of these to whom I highly recommend are Bryan Peterson, Tom Ang, and David duChemin just to name a few.

Since my list is really rather extensive in all these categories, I’m going to save you a lot of time and give you a link to my personal, suggested reading list. I have personally read all of the beginner, Intermediate and Advanced level books I own all the books in the Intermediate to Advanced level books in my library.

To to go my personal, suggested reading list and order any of the books direct through Amazon, simply go to:

www.vegasphotographystore.com

If you have personally read any of these books and would like to provide some feedback here or if you have any great photography books you would suggest, please leave a comment. Also, if you are ever interested in attending one of my walk-around photography classes for beginner to intermediate level photographers here in Las Vegas, please shoot me an email at adam@shotbyadam.com. I teach the classes once a month.

Product Photography 101

Before today’s blog, I wanted to let you know that if you’re on FaceBook, I just created a new fan page where I’ll be posting all the latest photos from my most recent shoots and some photography quick tips too! To follow me, PLEASE CLICK HERE!

I’ve had the very fortunate pleasure of doing a LOT of travel these last few months. In 2009 alone I have logged over 250,000 miles to all over the United States and many exotic locations such as Kuala Lumpur, Singapore, Tokyo, Sydney, Perth, Brisbane, Melbourne, Auckland, London, and Dublin just to name a few. The primary reason for my travels is that I am a featured keynote speaker for Internet marketing programs all over the world. Of course, when I travel, I always take my camera gear with me, not that I have much time to shoot anything, but it’s the thought that counts.

Over the last few months I have been traveling with my good friend and eBay expert, Adam Ginsberg, helping him with his awesome 3-day eBay/Internet trainings. At his events I teach a 90 minute course on product photography and the importance of having good, quality imagery in your eBay listings. One of the most crucial elements of having powerful eBay listings is having excellent quality photographs of the items you are selling. The better the photo, the more professional your listing looks and the more professional your listing looks, the more likely it is to motivate a potential buyer into taking action and placing a bid on your auction. 

So what are some tips for taking great eBay photos? Well, it’s certainly not rocket science and you don’t need to have thousands of dollars invested in camera equipment to get outstanding results. The first thing you need is, obviously, a digital camera. Choices in cameras these days vary more than they ever have before. You can go with a Digital SLR camera (Single Lens Reflex) which allows you to take higher quality photos, have more creative control over what you shoot, use interchangeable lenses, etc., but with those categories of cameras comes a higher expense and a higher learning curve to boot. To take great product photos for eBay though, this is the ideal and yet certainly not a necessity. In fact, many low-budget point-and-shoot cameras take wonderful photos and you don’t need to have a big budget to get good results from many of these cameras. You can even get great deals on used cameras on craigslist or eBay (how about that?). 

So, when shopping for a digital camera, what are some things to look for? The current buzz word for digital cameras is “megapixel”. You’ll hear that word used a lot and while it is an important factor in buying a camera, it is way less important than many people realize. Again, it’s a buzzword used to sell cameras. Many people think more Is always better and that’s very far from true. There are many digital cameras that shoot in 10+ megapixels and their photos look like crap by comparison to some older, professional digital cameras that shoot in 3 megapixels. How many pixels your camera shoots into is not directly indicative of it’s quality. A megapixel is a term that is used to reflect 1 million pixels. A pixel is like one tiny dot on your computer monitor. To reflect a standard 3:2 format many digital cameras and computer monitors use, certain standard combinations have been established over the years. For example, you may be reading this article right now on a monitor that is set to 1024X768 pixels or even 1280X1024. One “megapixel” is determined when you add up all the pixels used so 1280 X 1024 rounds out to 1.3 megapixels.

Now, there are so many other factors that create image quality other than the number of pixels in a shot. Digital cameras use a digital image processor to interpret the shot nowadays as opposed to the film cameras of yesteryear. These sensors all respond to light and color differently so the quality of the shot is often determined with those factors, not just how many pixels are in it. It’s a combination of quality AND quantity so don’t let the high megapixels used as a marketing tool be the sole, determining factor when buying a camera for simple product photography.

So what else do you need to take great photos for eBay? Well, you definitely want a tripod. This will help stabilize your camera and get you much more consistent shots. Plus, you will probably be shooting your wares without a flash so a tripod will be a big help. “Why no flash?” you ask? The reason is your on-board flash is designed for photographing people or subjects at around 10 feet. When you use your flash to photograph an object close-up, you will get horribly bad shadows that will make your beautiful products look terrible. So instead, you want to light your area with external lights off to the side of your object and angled slightly in front and slightly behind your object. This creates a fill-light for your object and also illuminates the area behind it to cut down on shadows. You don’t have to spend a lot of money on lights either. I suggest getting two swing-arm or desk lamps from your local office supply store. Your total budget for lighting should be less than $30.00. 

As far as a backdrop is concerned, remember to remove any and all clutter from your area that you are using for product photography. Three options include using a roll of butcher paper, large flip-chart type paper, or even a flat, white sheet folded in half so it’s more opaque. The preferred color is always white as it makes virtually every product put in front of it really pop. There may be some instances where your product is mostly white so if that’s the case, perhaps having a second color like gray would be good although most of the time, it may not be necessary. To create a mini photo studio, simply push a small table next to a wall in your home you plan on using long-term for your photography. Then tack the paper or sheet up on the wall, about 2-3 feet higher than the table top, and drape it down over the table creating a slight curve to the background rather than a hard edge. This will help eliminate any shadows also and makes your object really look great and stand out. If you set your area up like this, you’ll never use the flash on your camera but you’ll get awesome results. When you aim your camera, make sure it is angled slightly down to your product and the top of the backdrop is not in the shot.

Take a look at the example above. You will notice here that a simple piece of flip-chart paper is taped to the wall and draped over the table. A simple ceiling lamp is positioned directly over the subject to help kill shadows behind it and in front of it and then, to illuminate the product itself, a simple desk lamp from an office supply store is positioned so it is outside the shot. This simple setup will yield outstanding results, can be designed with a very low budget, and is easy to setup.

Another route to consider is using a small photo tent which can be purchased online or at any good camera store. I’ve seen kits such as this sell for around $75 or less complete with lights and backdrops. Here, the tent itself will diffuse the light coming into it, so you want to position your lights on each side, about 8-12 inches away. When setup, you take one of your backdrops (preferably white) and it will attach to the top, back wall of the box and drape down inside (usually, these are held up with either velcro or small clips). Just remember to add a little curve to the backdrop when draping it inside to the bottom. The lights will illuminate everything inside and give you outstanding results.

Here is a shot I took just this past weekend for a client’s website (www.designsbylala.com) using a light box. 

Lastly, if your camera has a “Macro” feature, use it. The universal symbol for macro-mode is a flower/tulip looking icon (as many people use macro photography for flowers) Sometimes this can be found by turning a dial on your camera, sometimes by pushing a button, or on some Digital SLR cameras, you may have to have a specific macro lens in order to use this feature.

Macro photography involves moving your camera as close as possible to your object yet allowing to focus clearly at the short distance. If you don’t know how to find the Macro mode in your camera, consult your user manual. Just like the human eye, a camera is unable to focus properly when an object is moved too close to the lens. Using a macro mode or a macro lens forces the camera to adjust it’s focal range to an object closer to the lens and gain more clarity in the shot. As with most cameras or inexpensive lenses, the more you have to zoom into an object to photograph it, the less light the camera allows in (referred to as aperature or "f-stop". In a future blog, I’ll be explaining this in greater detail. For now though, and for simplicity sake, just understand that if you are zooming into your subject from across the room, or from two feet away, you will see different results as the available light the lens will take in will be different. 

With this basic instruction on product photography techniques, you should start creating awesome images right away and make all your listings look like the ones the big power sellers have. Pretty soon, if you stick to it, you’ll be one of those sellers too!


 

Are Tripods Obsolete for Photographers?

In a recent photography forum, a photographer created a discussion asking that with the current technology getting so good with image stabilization in camera lenses, are tripods even necessary any longer. In this blog, I want to address the massive importance and versatility in using a tripod or even a monopod in modern digital photography.

Photographer and author Sanders McNew has a saying which has always stuck with me, "A camera off a tripod is a camera in motion." He’s absolutely correct. While Nikon has it’s "VR" (Vibration Reduction) and Canon with IS (Image Stabilization) in their newer lenses and companies like Sigma, Tamron, and other lens manufacturers following suit, this newer technology virtually allows you to gain a full f-stop more than the lens’ actual rating. By assisting the photographer with reducing the vibration caused by the human body holding an object still for longer periods of time, you can create sharper images with longer exposure times. It still does not eliminate the need for a good tripod or other similar, physical image stabilization system though. For example, these are two recent shots I did for Las Vegas Net magazine which will appear in their September 1st issue.

I shot both of these using a monopod. There is no way I could have gotten the crispness of the Bellagio shot or the tail lights on the street shot with just a VR lens. Not possible. A tripod would have even made these better.

So obviously shooting in low light is a no brainer that a tripod is a huge asset to have, but what are some other great uses? Here are a few tips for any photographer where a tripod is either a must or crucial in the creative photographic process:

  • Shots of the moon with a large focal length lens. Try shooting the moon with a 500mm lens any other way and all you’ll get is a blur. In celebration of the 40th anniversary of the moon landing being today, this is one that should inspire any photographer to do today.

  • Shooting stars. When the Earth passes the tail of a comet or when we experience a metor shower, a tripod is a must.

  • Panning shots, such a s a wide landscape shot or the interior of a large ballroom. Virtually impossible without a good tripod.

  • Lightning.

  • Long exposures for crispness. In low light situations, sometimes you want to shoot with the fastest lens you can get. But there are those other times where you just want the sharpest image possible in low light and instead of shooting at f/3, you shoot at f/11 and do a several second exposure. It’s a look that is just wonderful for certain conditions and can only be achieved by using a tripod.

  • Animal photography. Shooting the family bet can be a real challenge sometimes. With a tripod and your camera on a remote trigger, you can stand away from the camera and entice your pet off camera to get the look you want and then CLICK! One of my three greyhounds, Tyler, is a bit spooked when he sees me behind the camera. Once I move away from it with the camera on a tripod, he’s much more comfortable and I get some great shots of him this way.

  • Heavy lenses. If you’ve ever walked around with a 70-200mm 2.8 lens, you’ll know it gets heavy real quick. Mounting it to a tripod with a quick release is a life saver (or certainly an arm saver).

  • With Independence Day just passing a few weeks ago, many photographers I know got some amazing shots of fireworks around Las Vegas. While you can get OK shots of them without a tripod, you’ll get exceptional shots of them with one.

  • Waterfalls or long fog shots.

  • Light painting. This is a popular technique used by some creative photographers to take a flashlight or laser pointer and, with the camera shutter wide open in a completely dark situation, start painting the landscape with your beamed light source. Impossible to do without a tripod.

  • I have a Sunpak tripod that I spent about $120 on. I like it because you can adjust the way the legs spread and you can have it totally spread out with the camera just 1 foot off the ground. I took the center pole on the tripod and sawed it off and got the camera less than 8 inches off the ground and got some unbelievable insect and wildlife shots that way, Impossible to do any other way at the angles I got these shots.

  • Using a tripod in a studio or modeling situation is a great way to have the camera be away from you while doing a shoot. Some of the best studio candid shots I’ve ever gotten were done this way, using the Tripod as an extension rather than have the camera attached to me. What I do is compose the shot and leave the camera on a tripod with a wireless trigger. I walk away from the camera and tell some stupid joke or I’ll say something like, "Hey, seriously, I have to tell you something really important." and go from a straight face to a silly face and go "BLAH" at them and when they react, fire the shot. Another way to do it is to walk away from the camera and start to approach the model real slow and say, "Hold still, there is a roach in your hair" and when they freak out, snap the shot. I get so many awesome results from this it’s unreal and every model I’ve ever done this with loves the shots we get. It makes it so much easier and un suspecting when you do this away from the camera. Another great line when you’re away from the camera is, "You know, if you make a funny face at the camera, nobody will ever know" ….CLICK!

  • Time-lapse photography. Good luck doing that while holding the camera.

  • I shoot about 4 or 5 trade shows a year where we setup a green screen and have attendees stand in front of it then I composite the background in of a Vegas skyline or something like that. We print them and give them away type of thing. It’s SOOOOOO much easier doing this with the camera on a tripod. You get real consistent shots time after time after time.

There is no doubt that with the advent of digital photography and the constant advancement of technology with digital SLRs, photography as we know it today is radically different than it was even just 15 years ago. Still though, as good as the technology gets, there will always be a need for the "Old School" way of doing some things. The way I see it, in 100 years when photography has completely changed the way we know it today, we will still have a need for a tripod. I don’t use mine frequently but I certainly do use it along with my mono pod as well. Image stabilization is so important with getting some shots. For any professional photographer, a tripod is just a tool. It just so happens to be an extremely useful tool that will, in my opinion, never go obsolete.